Kevin Chilcott
Luthier
MAKING A 'HUNTRESS'
(21.02.03)
This section has only
just been started. It may seem a little disjointed
at some stages.....
I am planning to go through the stages 'as
I go - one at a time' and then at the end edit
it all, adding particular points,
pictures
and references
I may have missed.
Please Treat this Section as Incomplete.
For more info about this particular guitar
please go to the Medusa
Junior Custom page.
Hopefully the end result of the project will look 'something like' the guitar
above.
PLEASE NOTE
Disclaimer.
All I'm going to be doing is to give
you the information that you need to be able to
construct something with your
own hands using both hand
tools, hand-held power
tools and some Industrial
type tools when necessary..... I will Not
be responsible for any
disasters
during the project(s) and I will Not
be responsible for any
injuries
that may occur - although I have cut myself on
countless occasions over the years, I am
still fully intact
(touch wood), and if
you are careful
and use tools correctly
you should have no problems on that score. If you have any
doubts, please refer to the
relevant
manuals or seek
advice from a professional
near by. I'm sure they wouldn't mind lending you a hand.
Take Care
and Mind Your Fingers.
( Tools are Potentially,
Extremely Dangerous
and can cause Serious Injury
or Death.)
YOU MUST WEAR the
Appropriate Protective Equipment when using all tools.....
Especially when using Machine Tools - including Ear & Eye Protection, Dust
Mask
or Respirator.
Kev.
Important Note.
Before
you consider starting this project you really need some sort of
experience
with tools
including hand
tools, machine
tools and working
with materials.
If you do not have the required knowledge, you will
need
help
from someone that has.
* * * * * * * * * *
The Wood for the Guitar
The Huntress
guitar is primarily made of Mahogany,
having a Mahogany body and neck.
The fingerboard
is Rosewood
and she has an Ebony Head-face.
The Scale length
is 24 3/4".
She is based on my original Medusa
Junior design from the 1980s,
and the later
Medusa Junior Custom
as Above.
* * * * *
Due to the 'peculiarities' of the Medusa Junior neck joint, which only allows for a bridge and middle pickup, the neck joint has to be re-designed to allow for a neck position pickup. This concept will be easier to understand when there are pix of the patterns available which will hopefully be up on the site soon.....
* * * * *
The Body is cut from
a Mahogany
blank - 1 3/4" (45mm)
thick by 13"
(330mm)
wide by 19"
(480mm)
long.
The Neck is cut from a Mahogany
blank.....
3"
(75mm)
by
3" (75mm)
by
36"
(920mm)
long.
(
This will do 2 necks.)
The Fingerboard is cut from a Rosewood
blank.....
The Head-face is cut from an Ebony
blank.....
The Wood for the Patterns
1/8"
(3mm)
and 1/4"
(6mm)
or
3/8"
(9mm) Pattern Ply
(if possible) is needed to make the Patterns.
Slightly thicker ply can be used if what I've suggested is not available.
Pattern Ply differs from normal ply as it
is very high quality
and has many thin laminates.
Normal ply is fine if you have it available, but patterns do not last as long
when made from the normal variety of ply.
The 1/8"
(3mm)
ply is used to make the initial Templates
which are made by hand.
The final Patterns
are routed from the Templates
into the 1/4" (6mm)
or 3/8"
(9mm) ply.
( Hopefully
this will all become clear as things progress.)
NB..... The 'mm' sizes are approximate.
At the end of the project I am hoping to have full scale drawings with notes available.
Scale Length & Fingerboard Taper
I'll deal with the details of Scale Lengths
and Jigs to be able to cut them accurately in a
later Section.
I'll also be looking at the most popular Fingerboard
Tapers..... The change in width from Top Nut on
down to the End of the Fingerboard - and Jigs
to make those as well.
For the time being, the
important thing to understand is that for this particular guitar a 24
3/4" scale length will be
used.
Essentially this is the distance between - the
line of the 'Top
Nut' and the
line of the 'Bridge',
moreover
the last point of contact
where the Strings "break" over the Top
Nut and the first
point of contact with the Bridge
saddles.
The positions of the frets
are calculated by
a mathematical formula,
but there are jigs and
patterns
available that can simplify the process of working this out.
The position of the 12th fret
on the fingerboard is half the scale
length (12
3/8")
and therefore half the distance from the Top
Nut to the Bridge.
(
Another common Scale Length is 25 1/2", and in this case, the distance from
the top nut to the 12th fret
would be 12 3/4".)
The guitar is designed
around the scale length
and the number of frets
(most
commonly 21, 22 or 24)
and the positions
of the bridge
and pickups
and in consequence the controls
etc are all governed by this.
Also related to this topic is the balance of the guitar and how it will hang
on a strap. Normally this is not too much
of a problem, but must be considered even at this stage.
I will go into the Scale Length in more detail later, but for the time being to help work out patterns etc.....
The Scale Length is 24 3/4"..... which is the distance from the line of the Top Nut to the line of the Bridge.
The Top Nut is 1 11/16" across.
The Fingerboard has 22 frets, and from the Top Nut to the Body End is 18 3/16" long. It is 1 11/16" wide at the Top Nut and 2 1/4" wide at the Body End.
With these dimensions you can get a feel for the way the guitar will be, and it's worth at this stage making just a paper or cardboard template of the fingerboard.
* * * * * * * * * *
Most Important
The Centre-Line must be visible on all
the components at all times
until final sanding.
The Centre-Line is the Most Important Part
of the whole project as it helps 'line' the parts
up.
* * * * * * * * * *
THE HUNTRESS BODY
1.
The picture above shows the Huntress body marked out on a board of Mahogany. The pattern used is that for the Medusa Junior, but an extension has been added to allow for the different neck joint needed for the additional pickup(s)..... which have not been marked in yet !
The Huntress
body has been cut out using a bandsaw
with a 1/4" (6mm)
blade, which allows cutting around tight corners.
The body has been cut slightly oversize
to allow for 'trimming back'
to the pattern by using a flush cutting
router bit.
Cutting and Preparing the Neck Blank
Trimming the Headstock to Shape
Drilling the Machine Head Holes
Thicknessing the Headstock
Preparing the Neck for Jointing to the Body
Making and Fitting the Truss Rod
The Fingerboard Blank
Making a Jig to Cut the Taper
Cutting the Taper
Gluing the Fingerboard to the Neck
Profiling the Fingerboard
Inlaying
Stages in Fretting
I'll continue this as soon as I can.....